8/5/2023 0 Comments Moonlight filmThe camera bobs through the water alongside the two bodies, occasionally dipping beneath the water, submerging the audience in the scene. Juan shows Little how to move through the water, and then compels him to lay back and float while he supports him, cradling his head like a priest would a baby. The scene is like nothing so much as a baptism: a moment of communion and spiritual connection between the two. He’s befriended by Juan and his girlfriend Teresa (Janelle Monae), and one afternoon, Juan takes Little to the beach and teaches him how to swim. ![]() In the first act, Little is a neglected and lonely kid who’s discovered by Juan hiding from neighborhood bullies in a derelict house. Moonlight, which presents its primary character in three different chapters of his life, is by its nature a film about metamorphosis-the evolution of Chiron from child to man. And it surrounds his growing closeness with Kevin (Jharrel Jerome), in the form of the ocean.Īt Work, Expertise Is Falling Out of Favor Jerry Useem Water precipitates teenage Chiron’s (Ashton Sanders) sea change before he viciously beats his bully. Water engulfs the characters and the viewers in the film’s most powerful scene, in which Juan (Mahershala Ali) teaches Little (Alex Hibbert) to swim. Directed by Barry Jenkins, who also adapted it from a work by the playwright Tarell Alvin McCraney, the movie is the most acclaimed release of the year, theatrical in its structure but impossibly cinematic, turning Miami into a muted but luminous landscape. I couldn’t stop thinking about this after watching Moonlight, a film in which water is a recurring and potent symbol of rebirth, transformation, and release. In a lot of cultures it’s where you go to meet the gods, because they come out of water.” “In Shakespeare … water is symbolic in terms of crossing a rubicon, and of transformation. “Water has everything to do with change-in virtually every culture it’s a symbol of change,” she said. In 2013, talking to me about her Tony-winning production of Metamorphoses, the director Mary Zimmerman explained why water played such a pivotal role in the staging of the show. (The whole “And, Scene” series will appear here.) Over the next two weeks, The Atlantic will delve into some of the most interesting films of the year by examining a single, noteworthy moment.
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